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Showing posts with label todd solondz. Show all posts
Showing posts with label todd solondz. Show all posts

Wednesday, July 30, 2014

Call Me! We'll Do Lunch!

It seems that folks in Hollywood are paying attention to the manosphere, as well they should: A person couldn't find a richer vein of dramatic inspiration to tap. Talk about the dark underbelly of the American psyche! Simmering resentments, mysteries, feuds, fascinating back stories, loads of sexual shame and fantasy, and a pervading sense that at any moment all hell will break loose. You couldn't dream up a crazier cast of characters, and they write their own dialogue, so think what producers will save on screenwriters. 

Sunshine Mary and her husband the Holy Hand Grenade could carry an entire weekly sitcom by themselves. (Some episodes they would have two daughters; some episodes they would have five; audiences love "inside" jokes.) The ladies from Return of Queens could play SSM's trailer trash cousins, popping in to deliver casseroles and pious homilies at crucially inopportune moments. Dalrock is the minister of SSM's congregation, of course, but he's got some dark secrets, not least of which nobody has actually seen his wife in years, although he continually refers to her in the most exalting terms.  

Paul Elam (AVFM) is the corrupt mayor who rules the town with an iron fist. Those who cross him tend to disappear mysteriously. Citing his "compassion for men and boys," he insists on leading the Boy Scout troop; the residents are bullied into signing up their sons despite their apprehensions. Dean Esmay is his bumbling, sycophantic police chief who claims to have been abducted by aliens and is secretly in love with his AA sponsor. Karen Straughan is his tough-talking deputy and minder. Janet Bloomfield is Elam's PR Chief, the villainous who lords it over the other Honey Badgers at City Hall and has half the menfolk in her thrall. She's also a loose cannon. She butts heads with the town librarian (a bluestocking post-marital spinster, of course), and scandalizes everyone by calling all the high school teachers, regardless of gender or girth, "fat feminist whores." What transpires when one of the PUAs seduces her teenage daughter will be the first season cliff-hanger.

Danger & Play is the athletic club. The manager supplements his income selling testosterone under the counter. A lot of the town lotharios hang out there, sometimes pumping iron, but more often gathering at the juice bar, swapping tips on how to "bang" the local hotties. (When one intrepid girl has the gumption to challenge the "no ladies hours" policy, she is threatened with rape; fortunately, a chivalrous beta comes to her rescue, and their ensuing tender romance becomes one of the ongoing subplots.) We get to follow the "game boys" on some of their club adventures; lots of humor and pathos to be found in the way they spin the reality of their various encounters or their lives at home in their moms' basements.

Well, you get the picture. There's a reason series like "Peyton Place" and "Desperate Housewives" ran so long. There's a reason some people are "hooked" on the manosphere. People love these kinds of melodramas. There is nothing more entertaining, or reassuring, than watching people whose lives are even more dysfunctional than our own. In fact, this idea is such a winner I'm almost reluctant to share it. But I'm totally cool with collaborating with others in the anti-anti-feminist community.

The question is casting. Who to cast in these meaty roles?

We will need strong character actors the likes of the late Philip Seymour Hoffman and Jon Lovitz, who played passive-aggressive misogynists so brilliantly in Todd Solondz's "Happiness," a movie I positively loved, and most of my friends positively loathed. (Warning: extremely dark humor and definitely NSFW!)